Design Bulletin

Design Bulletin

Design Bulletin featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

A Is Van Os

Anyone who can read knows the 26 letters of the Latin alphabet. But where do those letters come from? How long do they exist? And who designed them? Autobahn and Bette Westera take you back to the time of your distant ancestors, who made a drawing if they wanted to "write" something. Slowly but surely, their drawings changed into the first letters. If you look closely, you can recognize the Latin current alphabet. And guess what? A is not for Apple at all, but for Ox! An educational letter book for all ages!

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Krafton Game Union

Krafton's logo design system expresses both the uniqueness and consistency of each alliance brand after being inspired by the crest of the Craft Guild of the Middle Ages, as the brand's core identity is centered on craftsmanship in developing games. The crest shape of the logo is applied consistently to all the alliance brands, differentiated by the use of designated colors, and forms a cohesive visual system.

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The Journey of Arita

A typographic design book with various stories including the importance in the development of Korean terminology and collaboration between designers. The book The Journey of Arita covers everything related to the Arita font, which has long been veiled, encompassing how the corporate typefaces were born, the story behind the font design, cases where these typefaces were used, interviews with 14 of the designers involved in the design per font, documentary photographs showing the process of creating typefaces, and products and books that use the Arita font.

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Moneta

OWDT was hired to design a flexible identity system that was dynamic and technically inclusive. We made it our purpose to highlight the technologies used by Moneta in the brand mark. The design gracefully overcame the challenge of balancing the brand’s geolocation characteristics and data type visuals. Moneta’s brand identity now clearly leads its highly technical audience to the world’s most dynamic geolocation technology.

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De Toren

The service and product preperation standards of The Toren along with the company name, which refers to the city church, were an inspiration to the designer Myrthe Koppelaar to implement the upwards geometric shapes into the design. The geometric shapes take formation of a shield because she wanted to break the mould Cafeterias, by developing a logo that emphasised the standards and quality, rather than meeting the design type associated with the industry.

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Curridabat Ciudad Dulce

The design emerges from the vision of the local government called Ciudad Dulce (Sweet City); its purpose is to promote a positive experience for all citizens, by seeking inspiration in nature. Hence, it is from nature that this liquid brand arises; it is built from shapes in repetition, patterns, organization, and structures present in the natural environment, just like honeycombs. These patterns support a flexible, vivid and easily identifiable visual system that helps the brand connect with a wide variety of audiences with which it interacts.

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