Design Bulletin

Design Bulletin

Design Bulletin featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Wolffstrunk

Graphic reduction and precision characterize the visual identity of the brand Wolffstrunk. The graphically reduced figure of the wolf functions as a basis for the visual appearance and as a new design mark within the corporate design system. Added to the figure of the wolf is the stylized shape of a drop. The reduced design mark follows the trend towards a simplified use of forms. The corporate design includes the design and concept of a composite mark, business documents, bottle labels, posters, postcards and a brand book as well as a short website animation.

Continue reading

 

COseries

This series of self-expression was born not just to highlight the dynamism of COdesign’s identity but to also portray the team’s philosophy, beliefs, creativity and expertise. With a cohesive blend of design and psychology, the series communicates and reflects causes and movements, raises awareness and eyebrows, highlights noteworthy events and achievements, and celebrates people and culture through meaningful visual stories that are not only aesthetically pleasing, but are also enlightening and thought-provoking. Each piece has been meticulously conceptualized and executed for maximum impact.

Continue reading

 

A Is Van Os

Anyone who can read knows the 26 letters of the Latin alphabet. But where do those letters come from? How long do they exist? And who designed them? Autobahn and Bette Westera take you back to the time of your distant ancestors, who made a drawing if they wanted to "write" something. Slowly but surely, their drawings changed into the first letters. If you look closely, you can recognize the Latin current alphabet. And guess what? A is not for Apple at all, but for Ox! An educational letter book for all ages!

Continue reading

 

Fabric

Fabric / FAB is an Exhibition of Sustainable Fashion. The main task in developing the exhibition identity was to create a typographic style. The accidental font used in the design Concept reflects one of the central messages of the exhibition – a call to reduce consumption in the fashion sector, a call for reasonable consumption. Graphically, the solution is based on a cross-type of a pair of fonts-strictly grotesque and openwork accidental font, resembling the folds of fabric.

Continue reading

 

FHG Brand

FH group is the world's third largest all-base solid-state electrochromic glass manufacturer. This work presents a new corporate identity using a combination of layered glass that come together to form FH. The transparency, shapes and layers of glass pieces that create the three dimensional logo reflect their products’ properties and functionality and depicts the vision to generate new technology and brings new products to life. The colors were carefully chosen to present the company’s vision and culture: green as the key corporate color, blue for their advanced technology and for the passion.

Continue reading

 

Underforest: Select

The project, in hand with the government, built the leading brand of "Underforest: Select" for the under-forest economy. Through image integration and packaging specification, designers reduce material costs without compromising quality, strengthen the brand identity and raise the values for their products. The branding colors are forest-green and matte gold. Forest-green portrays the abundant natural resources in the woods, and the matte gold represents the economic potential of the under-forest economy.

Continue reading