Design Bulletin featuring great design, architecture, fashion, graphics and innovation from across the globe.
Discover 745 award-winning designs tagged Graphic on Design Bulletin.
Open Air is the graphical identity and visual expression of the video mapping combined with a vertical acrobatic dance show. The concept explores the unifying plasticity of the togetherness and freedom between the organic movements of several individuals in regards to an abstract and surreal surface, almost invisible to the eyes like to serve atoms or micro-particles, observed under the light of a microscope. It is a dialogue between an abstract and a physical state.
GAAHK Inauguration Ceremony is a key visual design created for the twentieth inauguration ceremony of the Graphic Arts Association of Hong Kong. The visual is based on digital ink mixing, repeated more than one hundred times to reach a balanced composition of positive and negative space. The image refers to an artisan blending vivid colors for print work. The design is adapted to a digital backdrop, a sign board, a brochure, an invitation card, a souvenir and a mask. The brochure cover uses spot ultraviolet coating with silver and gold foils, so the surface can be felt by hand.
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Different from the general calendars in the market, the design and packaging of 365 days Taiwanese Foods Calendar is based on the prototype of Bento box, a unique Asian food container. The packaging is designed with a magnetic closure for easy display, collection and portability. In addition to the graphic introduction of the calendar itself, it also shows the Eastern concept of time and introduces festivals, ingredients and festivals, all of which show the unique food culture of the East.
Crcrta is a corporate identity designed for the Chinese Research Centre for Radio and TV Art, a government department. The logo combines graphics and text. The colour scheme uses the three primary colours of television, red, green and blue. A camera symbol is formed by three geometric shapes. Two rectangles refer to filters and paper used in the radio and television industry. The triangle refers to a lens or a speaker. The letters CRCRTA pass through the graphic from left to right to express the idea of communication. The identity has no fixed size and can be scaled to suit different media.
With the spread of digital information, the opportunities for writing and reading have become much less than before, instead visuals are important. Utopian City Planning is rethinks about modern typography, the motifs and letters found in architecture are fused to create a new order of typography and explores new visual possibilities for typography. At the same time, also emphasizes the relationship with the "clarity" of typography.
Naturally Fluid is a brand identity created for an international film festival about nature. The identity uses a fluid design language that can present the festival themes together or highlight each theme on its own. Every element was hand drawn and painted with watercolours, then digitised and combined to resemble a collage of nature. A geometric sans-serif typeface accompanies the raw illustrations. Brand marks and word marks support recognition. The system was designed digital first to render on mobile devices and social media.
Viewing Korean History is a cover design series for three history textbooks. The covers were created for middle school and high school students. A simple diamond-shaped graphic and typography at the center present the subject name and keep the identity of the series consistent. The two middle school books share the same layout. The high school cover shows the modern student connected to different eras within one space. Stickers and epoxy match the background color, and a no-scratch coating limits wear during use.
A Inc is a corporate identity program created for a company based in Tokyo. The identity is built around a single letter A formed from colored stripes. The stripes represent the energy and potential of every person involved with the company. The overlapping stripes show how the company takes shape through a diversity of preferences. The identity is applied to business cards and envelopes, and each person can select a favorite color. Envelope colors can be matched to recipients. The logo is embossed to keep the strong colors subtle.
Oil Street Art Space is a wayfinding system created for a public art and cultural venue in Hong Kong. The site includes a historic red brick building and a newer two-storey building with outdoor areas for exhibitions and community activities. The form of the signage is derived from the venue logo and combines three surface areas. Black is used to suit the historic setting, with one area in the brand colour. The signs are made of stainless steel with powder coating and painted debossed letters, and are fixed between the bricks to limit damage to the building.
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Public Space Competition is a visual identity system created for a nationwide art and design competition held in Wuxi, China. The identity covers a logo, posters, video, promotional items, certificates, a book, a website and digital interaction design. Digital printing, screen printing and new media technology were used in the production. The identity was applied in subway advertising, television media, public transport media, school posters and news media. The aim was to keep one clear image across many online and offline channels.
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Visual solution to Leman Jewelry's new identity was a complete new system to expose the luxury, exquisite yet sophisticated and minimal feeling. The new logo inspired by Leman's working process, their haute couture design service, by crafting all diamond shapes surrounding a star-symbol or sparkle symbol, creating a sophisticated symbol and also echoing the shining effect of diamond. Following up, all collateral materials were produced with high quality details to highlight and enrich luxuriousness of all new brand visual elements.
Suicide is the first cause of death among young people in the Netherlands. Rogier Hulst, a valued colleague, and friend of the design team passed away much too young. His mother founded Roger That to offer other young people the opportunity to receive shelter, a listening ear, and coaching. As a young designer, Rogier had a unique logo. Since Roger That originated from the death of Rogier Hulst, the agency wanted the design to stem from his design. Based on the typical logo of Rogier van Hulst, the designer made a system that represents the multi-coloreds and diversity of the youngsters.
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